© 2022 Daisy Ziyan Zhang
FILMOGRAPHY
“She Crossed”, 2024
ZONTA Prize, 71st International Short Film Festival Oberhausen, Germany, 2025
Award for Excellence, Image Forum Festival, Japan, 2024
“Wrinkles”, 2023
Official Selection, Arquitectura Film Festival Santiago, Chile, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Finalist, 17th Istanbul International Architecture and Urban Films Festival, Türkiye, 2023
Official Selection, Vienna Architektur. Film. Sommer 2023, Austria, 2023
(excerpt “Caretaking”) Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Winner, “Transmedial Media Architecture” at Media Architecture Biennale, Canada, 2023
“No Leftovers No Left Out”, 2023
Official Selection, ArchFilmLund Film Festival, Sweden, 2024
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2023
Finalist, Venice Architecture Film Festival, Italy, 2023
Shortlisted, Copenhagen Architecture Festival Film Mosaic Competition, Denmark, 2023
Honourable Mention, ArchiShorts | Architecture+Design Film Festival Winnipeg, Canada, 2023
“One Beam, Shaped” (comission), 2023
Official Selection, Architecture Film Festival Rotterdam, Netherlands, 2024
“Break” (comission), 2023
Best International Film Award, ArchiShorts | Architecture+Design Film Festival Winnipeg, Canada, 2024
Finalist, 48H Open House Barcelona Música x Arquitectura, Spain, 2024
“Days and Nights”, 2023
Winner, ArchiShorts | Architecture+Design Film Festival Winnipeg, Canada, 2023
Winner&Jury Vote, MIT in 3:00 Film Competition, USA, 2023
EXHIBITION
“Spring, Along Beijing Central Axis”, Venice Architecture Biennale, Italy, 2025 (on view, May-Nov 2025)
“Intimate Immensity: Consumed, Depleted and Worn Down at Home”, UCCA Edge, China, 2024
“Wrinkles”, acquired by MIT Museum as permanent collection, USA, 2023
“Melt | Remelt”, Media Architecture Biennale (Top3 nomination for Future Trends and Prototypes), Canada, 2023
“Frozen Forces”, Cambridge Science Festival, MIT Museum, USA, 2022
“Spines”, acquired by MIT Museum as permanent collection, USA, 2022
“Desktop”, Keller Gallery, USA, 2021
“Play Room”, Keller Gallery, USA, 2020
“Ohlen Freswind: patterns for a community school”, Tin Sheds Gallery, Australia, 2018